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"How To Create Realistic Teeth"
by Larry J. Brackney

When it comes to detailing, it's often been said that the eyes make or break a paintjob on a face. Next in terms of importance are probably the teeth. Whether it's a snarling beast or a woman with a pleasant smile, you're going to want to do a bit more than slap some white paint on those choppers. Here are some tricks you may find helpful.

Begin by basecoating the entire mouth with your gum color. Horizon's pink burgandy is an excellent choice for most figures. Redish browns or even shades of gray can be used for that diseased gum look that only comes from years of dipping into the Skoal. Drybrush any gum textures and follow up with a shading wash if you like. It's easiest to do this coarse work now before you paint the teeth.

For the lip area surround the gums, prepare a wash of the gum color, and gently apply it around the mouth. You should end up w/ the darker color at the gums, slowly fading into the fleshtone as you move out of and around the mouth. Do this even if you'll be applying makeup to the figure later, because lipstick seldom covers every bit of this area near the mouth.

Once the gums are finished, you're ready to cut in the teeth. One mistake that beginners make is to simple paint all the teeth at once. It's important to paint each tooth individually so that the gums surround each tooth. There should be a crisp, thin, line of pink between each tooth when you are done. I basecoat my teeth with Polly-S Frost Ivory using an appropriately small brush and a steady hand.

Now that the teeth are blocked in, your mouth should start to come alive. Still, those teeth probably don't look quite right, especially if you're working on a monster. I don't think there have been many official studies, but it's fairly common knowledge that monsters seldom brush or floss. To simulate this appauling lack of oral hygine, we need to paint in some plaque!

At this point I prepare a wash of Polly-S Canine Yellow Brown, it's a light Sienna-type color. I begin by applying the wash around the root of each tooth. Pull the wash up along each tooth. The result should be a yellowish stain around the base of the tooth that fades as you near the tip. The tip of the tooth can by either the original ivory color, or more yellowed depending on your preference and how thickly you have applied the wash. If you find that you've applied the wash too heavily, you can always drybrush some of the ivory back on the tooth very lightly.

That's the basic recipe for teeth, and it's applicable to a great many characters and monsters. All figure kits should have plaque to some extent, well maybe not if you're working on a kit of Pamela Anderson. Still, some monsters may need a little extra kick to put them over the top. A buddy of mine who works at a dental lab has had the dubious honor of working on replacement teeth for zoo specimens. He noted that all of the so-called "blood beasts," lions, tigers, etc. have an orange cast to their teeth, presumably blood stains that have worked into the enamel over time. When I'm working on a critter that's diet is somewhat questionable, I'll finish up the tooth with a very thin wash of orange over the plaque work I've already applied. The end result is fairly convincing!

So that's it in a nutshell! The same technique for painting individual teeth is equally applicable for nails. For normal humans, you will want to replace the canine yellow wash with a wash of fleshtone. The wash should be more uniform over the entire nail, with only the edge of the nail left in the base ivory color. For talons or claws, you might want to try following the tooth procedure exactly, even down to the finishing orange wash. Of coarse if your kit came with a set of Lee Press-on Nails, then this discussion is entirely academic!

One last thing that probably doesn't need to be mentioned, but I will anyway for the benefit of beginners; you should seal your paintjob on the mouth and nails with a generous gloss coating. Fingernails tend to have a semi-gloss sheen to them, while the mouth should look wet when finished. I usually brush in Polly-S gloss coat as a finishing touch on a completed kit.

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"Sealing Foam / Durham's Water Putty"

There are a few ways to to seal foam. Regular spackle or joint compound, like that used in repairing walls and drywall can be spread on top of the foam and textured.

A product called Durham's Water Putty, a plumbing material can be used with great success. It is sold in most hardware and home improvement stores and is relatively affordable. A 5 lb. can can be purchased for about $5-6 and will last quite a while. It is a yellow powder that should be mixed in 3 to 1 ratio with tapwater. It should be mixed in small amounts as it dries rather quickly and will dry or cure to a rockhard finish in 24 hours. It can be applied with a putty knife, plastic picnic type knives and spoons and wooden stir sticks also available at paint supply shops. It can then be drilled, carved, cut as needed.

DO NOT DUMP IN SINK. This material will damage your home plumbing by blocking your pipes. The best way to dispose of unused Durham's is to allow it to dry in the mixing container and then be discarded as you would any household trash or garbage. This is why the best mixing containers are plastic drinking cups or old plastic tubs like you get with yogurt or butter. This also is an extremely dusty material and should be worked with in a well ventilated area, outdoors and optimum safety can be assured with the use of a dust mask also available at most aforementioned stores for an inexpensive cost. Remember that you can't put a price on your health.

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"Types of Casting Products" My favorite casting products are Excalibur and Die-Keen shown on the Dental Plaster casting page. I believe these are the best and most durable casting materials to use for your projects.

However, there are many other less expensive products available so I've compiled this list of product reviews from my customers. Please note that I have not tested these out personally, so I can't guarentee that the reviews are accurate. Also, the information on each product may be incomplete because these reviews were given to me by customers from the message board on my web site. Many of the reviews have been edited for space.

If you want to purchase some of these products listed below, it's best to go to your favorite search engine and type in the name of the product you want. Several companies should be listed who carry these products.

If you have information on a product that you like, please e-mail me at bruce@hirstarts.com. so I can add it to the list shown here. The products listed below are in alphabetical order.


Concrete
I used to use high quality plaster for all my modelling, but later found out that the highest quality plaster is more or less a mixture of cheap plaster and concrete. I've experimented with this and found that 3 parts plaster of paris mixed with 2 parts concrete will have almost the same durability as dental plaster, but costs only as much as plaster of paris.

Plaster of paris and concrete are about the same price, you just have to buy twice as much for twice the price- even this is usually cheaper than going straight for the quality products. So long as you don't put in too much concrete (no more than 2 fifths for walls, etc... and about a quarter for detailed work) it will have the same quality as dental plaster. -Toomy


Denstone
Finally getting back to model building and wanted to try Denstone, 50lbs for $33.57. I love it. I'm never going back to any other material. I'm mixing it thinner than recommended on the net (about 150ml to 300g vs. 60ml to 300g) and it's setting well. Still having a few bubble problems, but that's due to my pouring technique and not the plaster. Overall, HIGHLY recommended, and you can't complain about free shipping for a 50lb box! -Eric


I too have tried the Denstone Dental Plaster and will never go back to PoP or Hydrocal. This stuff is great!!. It does mix thinner than plaster but has fewer air bubbles and is much stronger. The sales rep who I purchased the product from even threw in a vibrating table for free!!!. I use the vibrating table after I pour the plaster and Bruce's Blocks come out bubble free. Dental plaster is definitely the way to go if you can get it. -Brian
I just picked up my second 50 lb. box of DenStone. It on has about half the strength of Die-Keen (9,000 psi vs 18,000 psi), but it only cost me $29.50. It's plenty strong for my tastes. -Tim
I too am using Denstone and I have been happy with it. (Keep in mind that I have been doing this for only one day!) I paid $20 for a 25 lb. box. My only complaint is that it doesn't seem hard enough, I think I will try the Die Keen next time. ($38.00 at my local dental supply store.) -JerekMace


Die Stone
I have been absolutely thrilled with the die stone from orthocast.com. I can mix and pour 3 batches. By that time, the first is ready to be scraped. Buy the time they are all scraped (and pour the scraped plaster into other molds) the first pieces are ready to be demoulded. Once all pieces are demoulded, I start mixing and pouring again. I tend to mix it thick, I seem to get better results that way. -Llama
I have to agree with Llama about the Die Stone. I read about his initial recommendation and ordered 50 lbs last week. The company was incredibly friendly and actually knew what I wanted ("your going to build castles, right?"). It mixes very well and is very very strong. Bruces instructions for Dental Plaster (Die Keen) work perfectly for Die Stone. -Tony


Durhams Rock Hard Water Putty
Having worked with Durham's Water Putty often, I can say the stuff is great. VERY dense, strong enough to drill, but best used with small pieces. Large pieces are a bit more brittle and and will shatter if dropped. Great stuff for making bricks though. -Bryan
I recently went to Home Depot to see what type of alternatives they had. Well I picked up this stuff called Durhams Rock Hard Water Putty. On the back it says it can be used for moldings. I figured what the heck, it is only about $4 for 4 pounds. It is a really fine powder that mixes with water like any other plaster. BUT, this stuff is SUPER STRONG. I was really surprised at how strong this stuff is. I just took one of the 1/2 x 1/2 x 1/4 blocks and stuck a knife in it. It took a LOT of pressure to split the block. It is a lot stronger than the plaster and light weight hydrocal I have been using. -Mike
You can view the manufacture's website at www.waterputty.com (has some interesting suggestions). It is available at Home Depot for $4.93 (plus tax) for a 4 lb. cylinder or in lesser amounts.

A good casting mixture is noticeably harder than plaster of paris. It takes about three times as long as plaster to set enough to remove it from the mold, but retains significant malleability during that time so it is useful for sculpting as well as casting. When dry it has a peach or cream color similar to light adobe. While the resulting cast is strong, you must still be careful in handling pieces thinner than a 1/4" (they are strong, but can still break whereas anything thicker than 1/2" you will have to apply a good deal of force to break). The substance can be sanded, drilled, or carved with ease.

For casting (after extensive testing) I've found a mixture of 50 mL of warm water (or about 1/4 cup) and 7 1/2 Tablespoons (I use 5 flattened measures of 1 1/2 Tablespoons) stirred for at least 5 minutes (preferably until there are no lumps) performs well and produces sufficient mixture to easily fill the Wizard's Tower mold with some left over for other uses (see below). Mixing does tend to introduce a lot of bubbles, but this doesn't affect the casting if you are careful to tap the mold thoroughly and run a paintbrush along all the mold edges immediately after pouring.

After pouring, the mixture should reach toothpaste consistency after 30 minutes so you can scrape off the excess. After 1 additional hour you can remove the blocks from the mold (you can be rougher the longer you wait for the putty to set). The excess putty may be put to several uses, especially between 30 - 50 minutes after mixing. Once it has reached a toothpaste or thicker consistency, it makes a strong and highly effective mortar for bricks, producing a more natural look than normal gluing. Additionally, for any bricks or pieces that come out concave (you scraped too aggressively) you can fill in the concavity and either flatten it now, or let it dry and sand it down later. Lastly, if any air bubbles marred the cast and you have a light and steady hand, you can make impromptu repairs to it.

Aside from the slowness of the hardening process of this mixture (a fact that does prove useful when using it for other things than casting) I find this product superior in all ways to plaster of paris. Not only does it make excellent casts, but it has a myriad of other uses and makes a really nice mortar or faux rocks and rubble. -Adam


Durhams Water Putty is one of the greatest mixtures available for those that cannot afford more expensive dental products. It is about $5.96 for 4 Pounds of the stuff. Using large red dixie cups, I fill it with the amount of plaster I will need for the casting. Taking another cup, I fill it with water.

The amount of water you should use should be half of the amount of putty you are using, In other words, 1 part water to 2 parts plaster. It should be ready for scraping immediatly, and when the putty starts to turn an orangeish color, They are ready to remove. It runs about forty minutes fro mixing to removal.

I am never going back to any plaster or hydrocal product. Be careful about spilling the plaster dust, as it is a pain to get it up without it blowing everywere. For a 4lb container, you get about 10 casts on 2 molds. Flex the cup when the putty is dry and it cracks off with no problems. It takes paint well. -Ants


Hydrocal VS Extra Lightweight Hydrocal
Having mixed both several times now, I have to say that Lightweight Hydrocal is much more difficult to mix. It does not settle as regular plaster does when sifted, but floats on the water due to the filler agents. It must be mixed thoroughly, which introduces many bubbles to be eliminated by tapping and pounding the mold.

Hydrocal sinks to the bottom, forms an island on the water when complete, and if stirred slowly with a coffee stick in a back and forth motion has little to no bubbling to eliminate after a pour.

Lightweight Hydrocal does meet it's claim of half weight. For my comparison, I filled the same mold with first Lightweight Hydrocal and then regular white Hydrocal. I then weighed the two results. The lightweight Hydrocal came in at just under 45 grams for a full cast. The white Hydrocal came in at just under 100 grams. Lightweight wins, hands down.

Overall, I like hydrocal better, and will be using it in the future. It is more than twice as heavy, but easier to mix, and much cheaper (lightweight is about $4 a pound, white is $.70 a pound). Unless weight is your most important factor and you can pay over 5 times as much and tolerate the mixing difficulties, I would go with the standard white Hydrocal. -Ernie Phelps


Hydrostone
Hydrostone is the proprietary name for a gypsum cement product offered by U.S. Gypsum. Other companies offer similiar products. Hydrocal is harder and much finer than standard plasters. This is a good site for details: www.plastermaster.com/usg/index.htm -Andy


Permastone
Well, I think I've found my favorite casting material... Permastone. Allow me to elaborate:

1.) Material - Permastone is an extremely fine powder in a bright white color. The stuff comes in a canister which I could not open easily, however, I cut a small square just underneath the lid for easy "squeeze" dispensing.

2.) Mixing - Here's where this stuff really shines. The powder dissolves almost immediately upon hitting the water all the way to the saturation point. When you are done with the mixing, you are left with a heavy mixture that has little surface tension. When pouring it, the sediment settles quickly and you will immediately see how much water separation you will have on top of the mold. This is good for estimating how high above the mold to pour an excess amount of material.

3.) Casting - I let the Permastone set for five minutes and then scraped the top of the mold. The Permastone did not compress as I scraped, like Hydrocoal and plaster did. When I say compress I mean that when the edge of the blade goes over the top of the mold you don't feel that backpressure on the blade that makes you feel like the holes in the mold have a lot of air or material in them, which always made me think that the mold was not fully set or formed. I could fully remove the bricks 30 minutes later, and they came out without any residue at all. Permastone does create air bubbles, but they are very, very small and practically invisible and sometimes, they actually enhance the look of the brick. (Gives it a weather-pitted look.). None of the air bubbles caused deformation of any of the blocks, which happened often with Plaster, Hydrocoal, and Water Putty.

4.) Curing - Permastone cures to a bright white, porcelain like object. It is hard as a rock and I tested the strength by repeatedly dropping one on my workbench from 4 feet. No chipping, even when dropped on a corner. To separate the blocks in the Dragon's Inn mold, I had to score the groove about 10 times with the back of an X-acto blade, then simply break it along the edge. Clean break, no crumbling. Once broken, the inside of the cured block can easily be shaved down with the back of a blade or heavy grit sandpaper. When there is no break, shaping the block will take a bit more effort with sandpaper, but still achieves a good finish.

5.) The con... Price. I found Permastone a bit pricey at 6.50 for 2 pounds at a craft store. It took about 3.5 pounds to finish just the Wizard's Tower. Considering you can get other casting materials for much cheaper, I'm not sure this is an exceptional value. BUT, If you factor in the frustration of working with other materials, it just may be worth the price. I will say that except for my learning curve with Permastone, once I got the mix down I did not have one bad cast afterwards. I would definitely recommend Permastone for wargaming structures due to its extreme durability and good looks. -Kizarvex


Por-A-Kast
I have been using polyurethane resins like Por-A-Kast for years with great success. Por-A-Kast is a liquid urethane casting materia that comes in two parts, a polymer and a curative, both of which look somewhat like vegetable oil (although one is a slightly darker amber color).

The two parts are measured at equal volumes and quickly cure at room temperature to a rigid white or ivory solid. I usually allow about 10 minutes cure time before removing parts from the mold and curing is complete after 30 minutes. That means I can cast blocks three times faster than when using plaster!

The cured resin can be tooled, turned, drilled, ground, sanded, pigmented, stained, and filled. The tensile strength is higher than regular plaster, not as high as dental plaster, but cured resin is flexible and therefore good for more delicate casts.

I have excellent results gluing resin parts together with a gap-filling CA glue like Zap-A-Gap. Por-A-Kast is the original product, cures to an ivory color, and gels slightly faster than Por-A-Kast II, which cures to a stark white color. Both cost about $65 for a two-gallon kit and are available from Bare Metal Foil Co. -Dave


Tufstone
I just got a 50lb bag of Tufstone from Douglas and Sturgess Art Supplies at www.artstuf.com. Compared to normal plaster of paris: Tufstone is a finer grain and casts much better detail. Tufstone doesn't bubble as much and dries much harder.

The service from D&S was top notch. I ordered the bag on Monday morning, and it arrived at my place (outside Seattle - they're in San Francisco) on Thursday. However, due to the weight, shipping was nearly the cost of the product: $17 on a $22 order. Overall, I like it MUCH better than PofP and will be using it on everything from now on. -Eric


I happen to live in San Francisco, and just recently bought some Tufstone from Douglas & Sturgess (their shop is on my way to work). I fully agree with you: Tufstone is the finest grained, low bubbled, and hardest type of plaster I have tried. Once you try it, you'll won't use anything else.

By the way, those of you who plan to ship their finished castings, I definitely recommend using Tufstone or similar material. -YDune


Ultracal 30
Here is a phone number for the USG (United States Gypsum) distributor # 1-800-487-4431.

I was able to purchase 100lbs of Ultracal 30 for about $17.60. It sets fast (when mixed right), is VERY strong, and does not chip like Plaster Of Paris. The only thing is water puddles form when the Ultracal sets, so before you scrape be sure to dabb that off with a paper towel. It also is a little heavier too, but it is a good trade-off. I mix mine to about the consistancy of thickish pancake batter. Any thicker and it sets up in my cup, any thinner and when you dabb the water off, you may end up with a short block. -Prepaid Sanity


Vatican Art Stone
It's very intersting stuff. It has an aggregate in it that will add a luster to the dried cast if you polish it with very fine grit sandpaper or steel wool. The stone is pretty dense and the aggregate takes a little getting used to. Just mixing the stuff in your normal disposable plastic cup is quite noisy (don't do it when your significant other is watching Tv).

After figuring out that you should let the stuff sit for 2 or 3 minutes after combining the plaster and water (like the directions said) the casts came out much more air-bubble free. It's not particularly strong stuff - I could still break pieces with my hands without working too hard at it (I was mixing it pretty thin because I wanted to make sure that I didn't run out before I had enough stuff cast to do a few projects), but it removes painting from the process and solves the "chipped structure shows white" problem with plaster. The stuff will chip, but it'll be the same color on the inside and won't be as noticeable.

It comes in a variety of colors: grey-green, black, brown, white, & terra-cotta. It was $22 / 25 lb bag and shipping 75 lbs from New York to Oregon was not cheap ($50), but that still left the overall cost at just a little over $1/lb which I don't mind. It's available at Sculpture House Casting at www.sculptshop.com/cart/s...vstone.htm

I definitely plan to use the stuff again. I thought the grey-green color was pretty cool. I would recommend the stuff if the price is not a problem. -Jim


I ordered a 25 pound box for $32.00 (price included shipping to Michigan from New York). Got it today and cast a few test molds using the Crypt Mold. I gotta tell you the stuff is beautiful. After drying about 30 minutes the pieces are ready for handling and finishing. With a little steel wool smooth surfaces shine like polished stone! I don’t think I even want to paint this material!

The brick surfaces hold the detail great and I think I will dry brush them, but any smooth arch, tile or such surface I will keep clear. A tip sheet came in my order and one tip was to apply red or brown shoe polish to help bring out the details. The mixture is similar to plaster of paris and I mix to a milkshake consistency. The mixture need to set about 3 minutes but is still very liquid. The mix also has a gritty, like sand, texture in the cup. This looks like fine grains of quarts or some other reflective material. In the settling process this "grit" sinks and with a little steel wool shines through, great effect.

I’m letting a set air dry, I oven dried a set and the came out a milky brown (raw, no finishing) and I didn’t like that look. The stone is heavy, heavier then plaster of paris but really hard and difficult to scratch. Anyway, if you want to check it out here’s the site: www.sculptshop.com/cart/s...vstone.htm -Augury


Veri-Die
I just got in 100 pounds of Veri-Die from Northern Virginia Dental Lab (I live in Idaho). Including shipping by ups it cost me 107.00. Their website is nvdl.com(look for discount dental supplies) and I gotta say this stuff is awesome! Psi is 15,000 - set time is about 13 minutes, time enough to pour 5 molds and still run a toothpick in the dragon accessories mold (barely).

It mixed alot smoother than anything else I've tried, and as I just tap the top of the mold with a spoon as I fill it, I had less bubbles than normal. It comes in a variety of colors. I bought the blue which comes out more like a slate grey. It did take about 2 weeks from mailing in my money order to getting the stuff, but well worth the wait! I just restarted casting for my dungeon pieces - I had started with some old plaster but this stuff is way stronger. The pieces come out almost glassy smooth. The mixing ratio was like 1 cup plaster to 1/2 cup water, better than the last stuff I bought! -Chase


Other sources for casting materials

Many of the above customer reviews are not complete. If you want to purchase some of these products above, it's best to go to your favorite search engine and type in the name of the product you want. Several companies should be listed who carry these products. Below are a few sources for casting and mold making material.

Smooth-on. They have sell all kinds of mold making and plastic casting products.

Douglas and Sturgess, Inc. Click under the "Plasters and Gypsum Cements". They have a good number of casting materials, along with detailed descriptions of each.

The Compleat Scuptor. They also have an online catalog with casting and mold making materials.

The Sculptors' Place. They also have an online catalog with casting and mold making materials.

Plaster Master Industries. A very strange looking web site - but it has tons of information on various plaster types and uses.

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"Green Stuff (Kneadatite Blue / Yellow Epoxy Putty)"

Each tube contains two 1.76 oz. epoxy bars. Green Stuff  now comes in two separate bars instead of a ribbon! The formula is unchanged with the benefits stated below:

  • Two seperate pieces to avoid curing at interface.
  • Less time spent picking out cured pieces.
  • Less material waste.
  • Reduced skimming.
  • Costs the same
  • Weighs the same.

Kneadatite's features and benefits make it the best product available for sculptors and modelers:


• Extremely smooth, non-grainy texture
• Long work life (1-1/2 to 2 hrs.);
• Ability to hold fine detail;
• Adheres well to almost any surface
• Has slightly flexibility after cure so it doesn't snap under stress;
• Withstands high heat (325ºF) and up to 2,000 pounds of pressure during the mold making process.
• Withstands up to four vulcanization's.
Kneadatite is a room-temperature curing epoxy/polyamide sealant in two-part form. It is stable in its packaged form consisting of base and curing agent side by side on release film. The base and curing agent are of contrasting colors so that when kneaded together, complete mixing is easily observed.
Its adhesive properties allow the artist to add detail gradually, before or after the previously applied Kneadatite has fully hardened. It has excellent adhesion to stone, ceramic, metal, wood, and many plastics including vinyl. When fully hardened, it can be painted, sanded, filed, drilled, tapped, screwed, etc.

Manufacturer: Polymeric Systems
Price: $12.97

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"Squadron Green Putty"


2.5 Oz. Tube of Green Putty from Squadron Tools.
Fine grained Green filler.
Ideal for filling seams, sink holes and recontouring.
Dries hard, has little shrinkage and sands smooth.
Easy to paint over without primer.
Carded packaging